Saturday, July 7, 2012
Seriously
Another painting, this one taking up two easels -- oil on canvas, lots of white paint and an accent on the primary colors, the sharp edges of summer bleeding into the composition. It kept warning me to stay away and not over-do it. I had to stop and leave it at what seems to be its minimalist best. I like the clean, open air that it breathes.
Saturday, June 30, 2012
Transparent Worlds
Transparent Worlds I
Watercolor and Ink, 12"x14"
Transparent Worlds II
Watercolor and Ink, 12"x14"
Sometimes we see up close and sometimes we look beyond. Blink and the whole vision has changed. The light of day changes constantly, as does our point of view. Part of what we see is on the surface, the other part is what we add from what is in our hearts and memories. All of which explain why some visions will appeal to some and not other. We literally see a different scene in spite of the fact that we stand side by side.
Monday, June 11, 2012
Feminine and Free!
Feminine and Free -- Three canvases, each 12"x30", in oil.
This painting started out mild and innocuous. I kept working and it started to acquire blood and guts. There is enough wallpaper in this world that blends into the background. The turmoil that bubbles under the surface, the angst that is churning and the hearts that break -- I think I got close to it in this painting. I applied the paint with brush and palette knife. Then, I scratched and I scribbled. Too much perfection and smoothness is patently artificial. Overly dramatic? After as many decades as I have been around--I think it only beings to tell the story. The whole truth is impossible to express. I do believe that the truth is that women yearn to be free, free of the constraints that have been attached to them over the centuries in almost every culture.
Below: Close-ups of the scratches and scars.
T
This painting started out mild and innocuous. I kept working and it started to acquire blood and guts. There is enough wallpaper in this world that blends into the background. The turmoil that bubbles under the surface, the angst that is churning and the hearts that break -- I think I got close to it in this painting. I applied the paint with brush and palette knife. Then, I scratched and I scribbled. Too much perfection and smoothness is patently artificial. Overly dramatic? After as many decades as I have been around--I think it only beings to tell the story. The whole truth is impossible to express. I do believe that the truth is that women yearn to be free, free of the constraints that have been attached to them over the centuries in almost every culture.
Below: Close-ups of the scratches and scars.
T
Saturday, April 28, 2012
"On the Edge of the Horizon"
Is there an explanation for all this nonsense?
Deep in the bottom of my soul, I think there are spots and lines and crazy shapes. Whenever I pick up a brush or a pen, they're there, talking to me, jumping in my face, insisting on being there. When the colors and lines blend, there is always a story, always a feeling. This one has hills and valleys, a big wide space that suggests its own universe. No, I'm not a conscious artist who plans and knows what is coming. It doesn't happen that way, but my eyes keep seeking a balance, a jolt, a reflection of life. It's not done until it gets to the point where it has an integrity of its own. That may not make any sense to anyone but me, but there it is.
Monday, April 23, 2012
"Happy"
Painting in progress...Happy? Was working at my desk, forcing myself to work at my desk and finally allowed myself to take a short reprieve. The freedom, the joy of it...no matter what the painting looks like...not finished...but bursts of color that say it's worth going forward. Needs to be finished.
Tuesday, February 28, 2012
For Love of Los Angeles
There is no place like Los Angeles. My love for the place is in this
painting...beautiful hills, incredible light, and a big, big sky.
Monday, February 13, 2012
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